
handle: 10201/12118
En la colección del Museo de Bellas Artes de Valencia se conserva un lienzo anónimo representando a la Virgen del Rosario que, en el presente estudio, hemos podido identificar como obra indiscutible del pintor Pedro Camacho Felizes de Alisén (Lorca, 1644-1716). Su identificación no solo viene a aumentar el número de obras del artista, sino que resulta de especial interés por mostrar una clara influencia de los modelos de Alonso Cano; hecho que demuestra que el viaje del lorquino a Granada en 1692, por motivos aparentemente burocráticos, no fue desaprovechado.
pintura, Camacho Felices de Alisen, History of the arts, Pedro, Murcia, siglo XVII, Alonso Cano, NX440-632, CDU::7 Bellas artes::75 - Pintura, Pedro Camacho, Camacho Felices de Alisen, Pedro, :7 Bellas artes::75 - Pintura [CDU]
pintura, Camacho Felices de Alisen, History of the arts, Pedro, Murcia, siglo XVII, Alonso Cano, NX440-632, CDU::7 Bellas artes::75 - Pintura, Pedro Camacho, Camacho Felices de Alisen, Pedro, :7 Bellas artes::75 - Pintura [CDU]
| selected citations These citations are derived from selected sources. This is an alternative to the "Influence" indicator, which also reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically). | 0 | |
| popularity This indicator reflects the "current" impact/attention (the "hype") of an article in the research community at large, based on the underlying citation network. | Average | |
| influence This indicator reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically). | Average | |
| impulse This indicator reflects the initial momentum of an article directly after its publication, based on the underlying citation network. | Average |
