The career of Edna Williams, an unrecognized pioneer in the field of international film distribution, demonstrates not only the importance, but also the pervasiveness, of many individuals who worked behind the scenes performing the all-important work of connecting moving picture producers and their audiences. One searches film history texts in vain, however, for any mention of Williams, despite having been dubbed in 1921 by Photoplay (albeit incorrectly) “The Film’s First Woman Executive” (94). In 1918, at least one trade journal, Exhibitors Herald, singled out Williams as a sign that distribution might be an emerging domain suitable for women.