
doi: 10.7764/aisth.64.3
handle: 11336/89177
En este ensayo presentamos un recorrido sobre diversos materiales de la obra de Samuel Beckett, con especial énfasis en su única película llamada Film, para señalar, con la ayuda de diversos autores y pensadores (Gilles Deleuze, Giorgio Agamben, Jorge Luis Borges y Emmanuele Coccia, entre otros), cómo en algunas obstinaciones beckettianas es pensable algo así como una imagen imperceptible.
beckett, B1-5802, Aesthetics, film, imagen, BECKETT, https://purl.org/becyt/ford/6.2, IMPERCEPTIBLE, Imperceptible, imperceptible, Image, https://purl.org/becyt/ford/6, IMAGEN, BH1-301, Philosophy (General), Beckett, Film, FILM
beckett, B1-5802, Aesthetics, film, imagen, BECKETT, https://purl.org/becyt/ford/6.2, IMPERCEPTIBLE, Imperceptible, imperceptible, Image, https://purl.org/becyt/ford/6, IMAGEN, BH1-301, Philosophy (General), Beckett, Film, FILM
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