
doi: 10.7368/93913
handle: 11573/1299383
This paper provides an overview of Pirandello’s choral poetry that runs parallel to the Coper- nican one, from his Pasqua di Gea to Favola del Figlio cambiato, then eventually and unexpectedly nds a poetical coalescence of the two poetics in his Giganti della montagna.
Pirandello; teatro
Pirandello; teatro
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