Recent scholarship has clarified the centrality of psychoanalytic concepts like desire and the unconscious to James Baldwin’s major fiction and political essays, though it has not yet addressed his notable distaste for talk-based mental health care including clinical psychoanalysis. The writer’s complex position on psychoanalysis both reflected the prestige of clinical psychoanalysis at midcentury, and responded to white colleagues’ racist use of psychoanalytic concepts. His fiction and political essays also participated consequentially in a broader post-Freudian psychoanalytic discourse. Giovanni’s Room (1956) in particular engages significantly with prolific contemporary US analyst Edmund Bergler. Baldwin’s psychoanalysis was an attempt to seize Freudian conceptuality from reactionary, pro-normative institutions, and put it to work for human freedom, one that achieved partial success. Examining the full range of the writer’s psychoanalytic thought, including its contradictions, refines his intellectual biography.