Getting lost in nature, I can sense the unfixity of its countless forms and processes. Recurring patterns at micro and macro scale arise from creative and destructive forces in space and time; reality appears simultaneously constant and impermanent. My thesis work, a wheel inside a wheel, explores the self in relation to contemporary conceptions of reality. I look at static and dynamic representations of stripped-down patterns modeled from nature, like circular bursts, splintering branches, or the meander of a wave. The action-based works on paper and cloth leverage invisible forces and signal permanency and physical embodiment, deepened through an engagement with archetypal materials. Time-based media renders an altogether separate point of view. Presenting documentary footage alongside artifacts of this abstraction practice, I speculate on the role sensing and recording technologies have in altering perceptions and observations of reality.