This paper seeks to ally the interdisciplinary frameworks offered by ‘Queer Ecology’ with an architectural inquiry to expand both fields. Queer theory alone offers scant discussions of material and architectural practices, while environmental discourse in architecture fails to address its role in ecological and social-political violence. A clothing-optional / cruising beach in rural Victoria, Sandy Beach also known as Somers Beach, exemplifies how the queer body’s navigation of space responds to complex ecological, urban, and social conditions. A queering of architectural definitions allows this site to be researched as a historically significant urban/architectural site of social and environmental value. It is suggested that the subtle yet complex practices of site transformations enacted through occupation are an architecture of environmental connective possibility. ‘Queered’ corporeality orientates the body and material practices towards assemblages where boundaries between humans and nature are transgressed, ultimately constituting a ‘queer ecological architecture’