This article studies the way in which the Suprematist paintings of Kazimir Malevitch inspire a poem to Jacques Dupin in 1975. The sharing of a broken poetics is accompanied by an insurrectional and ethical fraternity focused towards the opening and the renewal of the aesthetic creation. Malevich teaches the poet the virtues of an senseless order in order to offer an art freed from convenience and oppression, while leading him to question the foundations of the poem. Malevich's paintings can be considered much more than a support or an object of study for a poet art critic, but rather as a gift that the poet makes to the poem, and whose fecundity offers ontological, political and ethical revelations.