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{"references": ["www.dogme95.dk", "Hanseop Kang, Make the filmologie of Korea, Samwooban, 2004, 117p", "Kristin Thompson. David Bordwell, FILM HISTORY, Hs media, 2011,\np.751", "www.wikipedia.org", "Gyeonggi Lee, Encyclopedia of the World Cinema, Korean Journalists\nAssociation, 2004", "(Inverview), the seventh Dogme film, Hangyeore, 2000.04.06,", "Ibid (1)", "Ibid (6)", "Jungang Ilbo, 2002.02.25\n[10] Yu Min, A study on the style variation of fiction and\nnonfiction,SungKyunKwan University, 2008, 76p\n[11] Dongcheol Nam, Cine21, feature story, 2000 Korean Film New Work\nProject, 2000.01.11\n[12] (Interview) Daniel H. Byun talks about, Jungang Ilbo, 2002.02.23\n[13] (Culture Sepcial)A revolution against the conventional elite film-Dogme\nfilm, Hallym University Newspaper, 2002.09.15\n[14] Chihyeong Park, Truth of Digital Visual Arts Production,\nCommunication Books, 2003, 171p\n[15] Changho Moon, Truth of Applied Media Aesthetics, Jipmoondang, 2007,\np203\n[16] Conversation with director Lee Yoon-Gi, cine21, 2005.04.19\n[17] Special Talk (The Charming Girl), FILM 2.0, 2005.03.16\n[18] (Identification of Cannes anti-Hollywood emotion), Jungang Ilbo,\n2007.05.28\n[19] (Secret Sunshine)Director Lee Chang-dong,Reporter Seonhee Han,\n2007.05.16\n[20] Chatman, Story and discourse: narrative structure in fiction and film,\nDongguk University Press, 2001, 227p\n[21] Hollywood Genre,11p, Thomas Schatz, Narae Han, 1995\n[22] Hayward, Susan, Key concepts in cinema studies, Film dictionary\n[23] Ibid (21)\n[24] Coalition for cultural Diversity in Moving Images:CDMI\n\u00d4\u00c7\u00ffanti-Hollywood- spearhead, Donga Ilbo, 2000.11.16"]}
Many new experimental films which were free from conventional movie forms have appeared since Nubellbak Movement in the late 1950s. Forty years after the movement started, on March 13th, 1995, on the 100th anniversary of the birth of film, the declaration called Dogme 95, was issued in Copenhagen, Denmark. It aimed to create a new style of avant-garde film, and showed a tendency toward being anti-Hollywood and anti-genre, which were against the highly popular Hollywood trend of movies based on large-scale investment. The main idea of Dogme 95 is the opposition to 'the writer's doctrine' that a film should be the artist's individual work and to 'the overuse of technology' in film. The key figures declared ten principles called 'Vow of Chastity', by which new movie forms were to be produced. Interview (2000), directed by Byunhyuk, was made in 2000, five years after Dogme 95 was declared. This movie was dedicated as the first Asian Dogme. This study will survey the relationship between Korean film and the Vow of Chastity through the Korean films released in theaters from a viewpoint of technology and content. It also will call attention to its effects on and significance to Korean film in modern society.
Dogme 95, Vow of Chastity., Korean Films, Anti-Hollywood
Dogme 95, Vow of Chastity., Korean Films, Anti-Hollywood
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