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In October 2011, the British artist Tacita Dean presented her work FILM at the Tate Modern in London. Dean’s installation is a film short projected in a continuous loop onto a large screen in a dark space furnished with seats for visitors. The written explication at the entrance to the room draws attention to the presence of all these elements: ‘35mm colour and black and white portrait format anamorphic film with hand tinted sequences, mute, continuous loop, 11 minutes. Large front projection; projection booth; free standing screen; loop system; seating.’ In her article in the Guardian, Charlotte Higgins described FILM as ‘pay[ing] homage to a dying medium’. In addition, FILM is undoubtedly an act in defense of film stock – that same film stock which Kodak announced (on 22 June 2009) it would cease to manufacture after 74 years of production, due to a steep decline in sales.
Post-Cinema, 791, Medientheorie, Communication. Mass media, Tacita Dean, Filmtheorie, media theory, P87-96, film theory, relocation, experience, Standortverlagerung, Mediengeschichte, cinema, Kino
Post-Cinema, 791, Medientheorie, Communication. Mass media, Tacita Dean, Filmtheorie, media theory, P87-96, film theory, relocation, experience, Standortverlagerung, Mediengeschichte, cinema, Kino
citations This is an alternative to the "Influence" indicator, which also reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically). | 29 | |
popularity This indicator reflects the "current" impact/attention (the "hype") of an article in the research community at large, based on the underlying citation network. | Top 10% | |
influence This indicator reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically). | Top 10% | |
impulse This indicator reflects the initial momentum of an article directly after its publication, based on the underlying citation network. | Average |