In this manner, synthesis and analysis thesis from the fragile explored field of legal ethnology, thesis “anchored in symbolic ports”, such as The Royal House of Romania (King as synecdoche of Justice), such as the royal city Iaşi (Romanian normative and judicial traditions), or the municipalities Alba Iulia (‘the bow and arow’ in a ‘centennial’ socio-legal ‘iconography’), Chişinău, Galaţi and Târgu Mureş. Missing from this painting is the supreme symbol of historical Bucovina, Suceava, the Citadel of Moldova, which, through it’s polyhistor, Simeon Florea Marian (in his capacity recognized as “the first esthetician of the fairy tale, of this species of popular epic”) contributed decisively to the resurgence of the moldavian and romanian legal-moral spirit. Today, in this voivodal framework of Suceava, I live the feeling of the closed circle, with meanings that go beyond the frontiers of simple thematic conferences. Sapiential and customary literature, popular, folkloric, oral, on Simeon Florea Marian, this venerable polyhistor of romanian culture has crystallized-forever in written and hermeneutic form marked by scientific precision, they are a fertile ground and worthy of being exploited noetically and for today’s young jurists, more dedicated to jusnaturalism, perennial legal values, principles and morality, than the positive generation of ultra-formalists, legal, bordered by uncomfortable expressions of norms endowed only with text, not meaning, in the most rigid and kelsenian way with possibility. Without being an exhaustive demonstration, but only an invitation, among others, to discover the sapiential-legal values and the jusnaturalist – moralizing, spiritual one, of the romanian popular creations, in the wider, european concert, the same thesis with apoftegmatic ‘dams’, sapientogene, the present paper could only play the role of palladium, as a catalyst for possible intellectual burns in the legal field.