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Music and Identity

Authors: Simon Frith;

Music and Identity

Abstract

Volume One: Music and Society A. The Making of Popular Music: Meanings and Values 1. Peter Bailey: 'Conspiracies of Meaning: Music Hall and the Knowingness of Popular Culture', Past & Present, 144, 1994. [22 pages in his book] 2. Dave Harker: 'Francis James Childs and the Ballad Consensus', Folk Music Journal 14, 1981, pp 146-164 3. Leroi Jones [Amiri Baraka]. 'Classic Blues', in Blues People (NY: William Morrow and Company, 1963), pp 81-94 4. Samuel A. Floyd, Jr. 'Ring Shout' Literary Studies, Historical Studies, and Black Music Inquiry, Black Music Research Journal, 11, 2, 1991, pp 265-287 B. The Making of Popular Music: Machines and Media 5. Dave Laing. 'A Voice Without a Face. Popular Music and the Phonograph in the 1890s', Popular Music, 10, 1, 1991, pp 1-9 6. Pekka Gronow. 'The Record Industry: the Growth of a Medium', Popular Music, 3, 1983, pp 53-75 7. Gerry Farrell. 'The Early Days of the Gramophone Industry in India. Historical, Social and Musical Perspectives', British Journal of Ethnomusicology, 2, 1994, pp 31-53 8. Gillian B. Anderson. 'The Presentation of Silent Films, or Music as Anaesthesia', Journal of Musicology, 5, 2, 1987, pp 257-295. C. Music, Entertainment and Dance 9. Lewis A. Erenberg. 'Everybody's Doin' It': The Pre-World War 1 Dance Craze, The Castles and the Modern American Girl', XXXXX, pp 155-170 10. Alf Bjornberg and Olaf Stockfelt. Kristen Klatvask fra Vejle: Danish Pub Music, Mythscapes and 'Local Camp', Popular Music, 15, 2, 1996, pp.131-147 11. Ben Malbon. 'The Dancer from the Dance: the Musical and Dancing Crowds of Clubbing' in Clubbing (London: Routledge, 1999) pp 85-104. D. Music and Everyday Life 12. Philip Tagg. 'Universal Music' and the Case of Death, Critical Quarterly, 35, 2, 1993, pp 54-85 13. Olaf Stockfelt. 'Adequate Modes of Listening', in D. Schwarz, A. Kassabian and L.Siegel, ed., Keeping Score: Music, Disciplinarity and Culture (Charlottesville, VA: University Press of Virginia, 1997), pp 129-146 14. Karen Lury. 'Chewing Gum for the Ears: Children's Television and Popular Music', Popular Music 21, 3, 2002, pp 291-305. E. Being a Musician 15. Alfred Schutz. 'Making Music Together' [1951], in Collected Papers, Volume 2 (The Hague: Martinus Nijhoff, 1964), pp.159-178 16. Howard Becker: 'The Culture of a Deviant Group. The Dance Musician', American Journal of Sociology, 57, 1951. [pp 55-65 in book] 17. Robert A. Stebbins. 'Music Among Friends: the Social Networks of Amateur Musicians', International Review of Sociology, 12, 1976, pp. XXXX. B

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citations
This is an alternative to the "Influence" indicator, which also reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).
BIP!Citations provided by BIP!
popularity
This indicator reflects the "current" impact/attention (the "hype") of an article in the research community at large, based on the underlying citation network.
BIP!Popularity provided by BIP!
influence
This indicator reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).
BIP!Influence provided by BIP!
impulse
This indicator reflects the initial momentum of an article directly after its publication, based on the underlying citation network.
BIP!Impulse provided by BIP!
199
Top 10%
Top 1%
Top 0.1%
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