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Forgery of Icons

Name: Forgery of Icons
Creator: Spies, Julia
Keywords: contrefaçon, copie, falsification, Fine Arts, Icon, Arts in general, forgery, N, Icon-copy, NX1-820

descriptionPublicationkeyboard_double_arrow_right Article 21 Apr 2009Publisher:OpenEditionJournal:CeROArt (eissn: 1784-5092,

Authors: Spies, Julia;

doi: 10.4000/ceroart.1110

handle: 20.500.13089/ds4a

Forgery of Icons

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Abstract

This article is based on the thesis „Icon Forgery. A historical, ethical and technological reflection” by the author, which explains, when is an Icon genuine or a forgery. In doing so, the terms Icon and Icon-copy will be defined by taking the aspects of the religious significance as well as the historical development into consideration. Within the given frame only a few phenomena will be described. Detailed explanations can be found in the complete thesis.

Keywords

contrefaçon, copie, falsification, Fine Arts, Icon, Arts in general, forgery, N, Icon-copy, NX1-820, icône

Impact byBIP!

	citations This is an alternative to the "Influence" indicator, which also reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).	0
	popularity This indicator reflects the "current" impact/attention (the "hype") of an article in the research community at large, based on the underlying citation network.	Average
	influence This indicator reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).	Average
	impulse This indicator reflects the initial momentum of an article directly after its publication, based on the underlying citation network.	Average

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Average

gold

Related to Research communities

Digital Humanities and Cultural Heritage