
doi: 10.4000/bresils.6256
Dans ce livre portant sur la trajectoire de Pixinguinha (1897-1973), l'historienne bresilienne Virginia de Almeida Bessa s'interesse a un aspect peu explore de l'un des plus importants compositeurs bresiliens, celui d'arrangeur. Elle se consacre a la seconde periode de formation de la musique populaire bresilienne, celle ou a surgi l'industrie phonographique nationale, durant la decennie 1920-1930. A cette epoque, l'influence etrangere – notamment le jazz – contribue au developpement d'un sty...
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