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As tecnologias no teatro: do artesanal ao digital

Authors: María José Dos Santos Cunha;

As tecnologias no teatro: do artesanal ao digital

Abstract

In this article, we approach the technological revolution in the world of art, more specifically, in the theatre. The intended objectives were to analyse and reflect on how theatrical practices were, and are, enhanced when mediated by technology. The methodology used was a bibliographic search, and with the development of the work, it was possible to conclude that in an environment of drastic change, such as the one we live in currently, the theatre has to adapt, readjust and creatively respond to the new challenges of technology, so that an innovative theatre can result from that.

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selected citations
These citations are derived from selected sources.
This is an alternative to the "Influence" indicator, which also reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).
BIP!Citations provided by BIP!
popularity
This indicator reflects the "current" impact/attention (the "hype") of an article in the research community at large, based on the underlying citation network.
BIP!Popularity provided by BIP!
influence
This indicator reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).
BIP!Influence provided by BIP!
impulse
This indicator reflects the initial momentum of an article directly after its publication, based on the underlying citation network.
BIP!Impulse provided by BIP!
0
Average
Average
Average
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