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Between Kiev and Venice The cognitive warfare and the Biennale of Venice

Authors: Shaul Shay;

Between Kiev and Venice The cognitive warfare and the Biennale of Venice

Abstract

The Russia-Ukraine conflict is witnessing the intensive use of information warfare and psychological warfare which are part of the cognitive warfare. The main goal of cognitive warfare is to wage a war on what an enemy community thinks, loves or believes in, by altering its representation of reality and the art is an important asset and domain of the cognitive warfare. The Venice Biennale serves as a major international art exhibition celebrating achievements in contemporary art, architecture, film, theater, and dance. Some experts call it “the Olympics of the art world.” This article provides analysis of the case study of the Biennale of Venice as a theater of cognitive warfare between Russia and Ukraine. It’s still uncertain how the war will end in Ukraine, but at the 2022 Venice art biennale it is clear which side has prevailed on the art and cultural front.

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Powered by OpenAIRE graph
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selected citations
These citations are derived from selected sources.
This is an alternative to the "Influence" indicator, which also reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).
BIP!Citations provided by BIP!
popularity
This indicator reflects the "current" impact/attention (the "hype") of an article in the research community at large, based on the underlying citation network.
BIP!Popularity provided by BIP!
influence
This indicator reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).
BIP!Influence provided by BIP!
impulse
This indicator reflects the initial momentum of an article directly after its publication, based on the underlying citation network.
BIP!Impulse provided by BIP!
1
Average
Average
Average
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