
The current digital context holds potential for creators of books art/artist books to go beyond their already innovative, dynamic, and fluid works of art in and around the book. The framework for developing these works of art has led to diverse offerings that need to be analyzed and systematized. This article presents the e-book art (electronic book art) and hyperbookart as two taxonomies that the book art/artist book embraces under the parameters of electronic and internet creation. Both meanings are defined and their pertinent conceptual and aesthetic properties and attributes are studied. Examples are given. The final reflections open several lines of debate about this digital scene, including the heterogenous role of the creator and audience, the authorship of the work, and the transformation of the work towards a multiple original.
| selected citations These citations are derived from selected sources. This is an alternative to the "Influence" indicator, which also reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically). | 1 | |
| popularity This indicator reflects the "current" impact/attention (the "hype") of an article in the research community at large, based on the underlying citation network. | Average | |
| influence This indicator reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically). | Average | |
| impulse This indicator reflects the initial momentum of an article directly after its publication, based on the underlying citation network. | Average |
