This text superimposes a seemingly random geometry over certain locations in the Alpine massifs, one that is certainly reductive and debatable, yet still connected to an evident modern unease. Over a period of a few decades, from the end of the 19th century to the early decades of the 20th century, some Alpine locations have been home to significant events and figures in the arts and culture, defining a concentrated itinerary in a relatively limited area. The figures introduced here carry ideas and embody forces far from the commonplaces that accompany our perception of the mountains and the more widespread image assigned to them. In this sense, it is also possible to approach the theme from Alpine iconography, whether it be the work of great artists, attempts at scientific representation or the simplest popular depictions. The protagonists of these itineraries are, indeed, directly linked to different ways of representing the mountain.