
doi: 10.2307/632314
In the 460s BC an unnamed artist painted an unusual oinochoe with a unique scene–a Greek chasing an Oriental archer–that marks an important stage in the development of symbolic imagery in the arts of early Classical Greece. This oinochoe of unusual shape (Plate 8a-b), now in Hamburg, was first published by Konrad Schauenburg. On side A, a bearded Greek hunter, running ¾-view to the right, clutches his phallos in his right hand and reaches his left arm toward an Oriental archer, on side B. The archer stands ¾-view to the right, bent at the hips, with his upper body in a rare frontal pose, and his hands raised to his head. A curious inscription fills the space between the two characters. Two equally plausible restorations of the inscription, each of which carries its own divergent interpretation of the images, have emerged: the original publication by Schauenburg and a response by Gloria Pinney.
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