Shortly after completing my study of Henry Chettle I chanced to read the anonymous Trial of Chivalry, printed in 1605 by Simon Stafford for Nathaniel Butter, as having “bin lately acted by the right Honourable the Earle of Darby his servants,” and before I had half finished the play I became convinced that of the two dramatists concerned in its composition the chief was Chettle. This conclusion I reached quite independently, for I used the Tudor Facsimile reproduction of the quarto of 1605 and was unaware that Bullen in the introduction to his reprint had remarked: “If I were obliged to make a guess at the authorship, I would name Chettle or Munday, or both.” Nor had I observed that Fleay also had suggested Chettle as one of the authors of this play.