At the end of Dr. Zhivago, Zhivago's old friends sit overlooking Moscow and read together a collection of his writings, compiled through the efforts of his devoted and somewhat mysterious half-brother. For all the dark times depicted in the novel, it ends with a dual affirmation of the power of art and of the spirit to survive. Zhivago's writings endure not only by virtue of having been created and not only in the minds of those who know them, but on paper as well. In this respect Boris Pasternak's novel offers an intriguing contrast to one completed in a bleaker period, The Master and Margarita. In Mikhail Bulgakov's novel the problem of preserving the protagonist's writing and conveying it to readers is neither as simple nor as successfully resolved, despite intervention of a more mysterious, even supernatural, sort.