
Capell, Richard. "Fantasia or the New Barbarism," Musical Opinion (London), November, 1943. Clifford, Hubert. "British Film Music," Tempo (London), September, 1944. Cockshott, Gerald. Incidental Music in the Sound Film. London, British Film Institute, 1946, 8 pp. Deutsch, Adolph. "Collaboration between the Screen Writer and the Composer," Proceedings of the Writers' Congress. Berkeley and Los Angeles, University of California Press, 1944, pp. 248-250. Eisler, Hanns. Composing for the Films. New York, Oxford University Press, 1947, xi+ 165 pp. A critique of film music as it is composed in Hollywood, and a description of Eisler's own experiments under the aegis of the Rockefeller Foundation.
| selected citations These citations are derived from selected sources. This is an alternative to the "Influence" indicator, which also reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically). | 0 | |
| popularity This indicator reflects the "current" impact/attention (the "hype") of an article in the research community at large, based on the underlying citation network. | Average | |
| influence This indicator reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically). | Average | |
| impulse This indicator reflects the initial momentum of an article directly after its publication, based on the underlying citation network. | Average |
