The research exposition consists of a case study in non-human phenomenology. The topic of the study derives from Jakob von Uexküll´s (1864–1944) classic ecological studies on the “lifeworld” (Umwelt) of animals, the focus being on the lifeworld of a tick. The tick experience is approached in an embodied manner, as developed by the author based on his artistic practice. The study demonstrates that it is possible and meaningful to create virtual corporeal interfaces between human and nonhuman species. What are the epistemological and ecological consequences of that disposition? On what kind of knowledge can planetary co-habitation among radically heterogeneous beings be based in the future?