This exposition is a multimedial, but mostly textual, documentation of years and years of working with horses as a motif and a method for making art, theory, texts, thoughts and feelings. Horses in art has a long history. My take on it is a girlish one; drawing from a feminist, queer and neurodivegrent position. The horse works with embodiment, textualities, reading, love, care, mis/understandings, closeness, sadness, obsessions, un/subjectivities, collectivity, and much more. The horse allows the artist to be a troyan horse within the field of art and academia, but it also shares vulnerabilities an power imbalances. The horse, here, is everything. Instructions for the viewer/reader: The exposition contains years of work. Please do not watch or read everything (even if you are wellcome to do so). Do act like a horse choosing which leaves of grass to eat. Choose carefully but spontaneously, wander around. A field work. A field of horses.