There is no question that at this point in time we view the world through the cinematic lens. The way we move and perceive space, time and the landscape is most certainly through this lens. How can this method be harnessed to become a methodology that is gen-erative rather than just representational? Can this method be de-veloped through a narrative feeding back onto the form expanding and creating space and time around the sequence of events? This case study of Casa Malaparte has its own interesting story as well as the many events and narratives that weave themselves through and around this space. The film Le Mépris (Contempt) produced in 1963 is certainly one of Godard’s most seductive productions. The main event or catalyzing moment between the two characters in the film is solidified through the formal performance of the architecture of Casa Malaparte. This catalyzing moment will become the focus of this essay, and will attempt to investigate the series of memories surrounding and forming this exceptional house.