
Cet article se propose de s’interroger sur le caractère historiquement changeant de la notion de “littérature moyenne” à partir de l’exemple de Maurice Dekobra, auteur mondialement célèbre dans l’entre-deux-guerres, mais aujourd’hui relativement oublié. À l’aide d’une comparaison avec Paul Morand, auteur légitime, voire canonisé, on tentera de montrer que les limites entre certaines formes de littérature populaire et certaines formes de littérature de recherche sont à la fois difficiles à tracer et sujettes à de nombreuses réinterprétations historiques.
littérature populaire, Ouvert la nuit, French literature - Italian literature - Spanish literature - Portuguese literature, Dekobra, 4703 Language studies, 4705 Literary studies, middle-brow, 2005 Literary Studies, 4702 Cultural studies, popular literature, nationalism, didactic function, La Madone des Sleepings, PQ1-3999, Morand, jazz age
littérature populaire, Ouvert la nuit, French literature - Italian literature - Spanish literature - Portuguese literature, Dekobra, 4703 Language studies, 4705 Literary studies, middle-brow, 2005 Literary Studies, 4702 Cultural studies, popular literature, nationalism, didactic function, La Madone des Sleepings, PQ1-3999, Morand, jazz age
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