
This article focuses on the short lived Turkish police procedural TV series, Cinayet (The Murder, Akbel Film and Adam Film, 2014) which is a scripted format adaptation of the celebrated Danish crime drama Forbrydelsen (DR, 2007-2012). By making a comparative textual analysis of the series, the article intends to emphasize the significance of ‘aesthetic proximity’ as a concept in discussing the global flow of television content and to reveal the challenges of adapting a scripted format which is stylistically different than the local stylistic conventions.
Aesthetic Proximity, Turkish Police Procedurals, 791, Turkish police procedurals, Cinayet, Forbrydelsen, aesthetic proximity
Aesthetic Proximity, Turkish Police Procedurals, 791, Turkish police procedurals, Cinayet, Forbrydelsen, aesthetic proximity
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