
Anikó Imre: TV Socialism Vlad Strukov and Helena Goscilo (eds.): Russian Aviation, Space Flight, and Visual Culture Norbert P. Franz (ed.): Andrej Tarkovskij: Klassiker – Классик – Classic – Classico Mary Harrod, Mariana Liz, and Alissa Timoshkina (eds.): The Europeanness of European Cinema. Identity, Meaning, Globalization Michael Gott and Todd Herzog (ed.): East, West and Centre: Reframing Post-1989 European Cinema The Disappearing Theoretician: From Anna Li to A.N. Pudovkina Female editors in Russian Cinema: Vera Dmitrievna Popova-Khanzhonkova Film Editing as Women’s Work: Ėsfir’ Shub, Elizaveta Svilova, and the Culture of Soviet Montage Lenuta Gukin, Janina Falkowska and David Desser (eds.): Small Cinemas in Global Markets. Genres, Identities, Narratives Stekliannyi Glaz (The Glass Eye) and Karmen – The Actress, Editor and Director Lilia Brik Creative Editing: Svilova and Vertov’s Distributed Cognition Recognising Women’s Work as Creative Work Ėsfir’ Shub on Women in the Editing Room: “The Work of Montazhnitsy” (1927)
| selected citations These citations are derived from selected sources. This is an alternative to the "Influence" indicator, which also reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically). | 0 | |
| popularity This indicator reflects the "current" impact/attention (the "hype") of an article in the research community at large, based on the underlying citation network. | Average | |
| influence This indicator reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically). | Average | |
| impulse This indicator reflects the initial momentum of an article directly after its publication, based on the underlying citation network. | Average |
