Tat’iana Dashkova: Telesnost’ – Ideologiia – Kinematograf: Visual’nyi kanon i sovetskaia povsednevnost’ Empty Gestures: Mimesis and Subjection in the Cinema of Yorgos Lanthimos Miranda Jakiša and Nikica Gilić (ed.): Partisans in Yugoslavia: Literature, Film and Visual Culture Nosferatu’s Gesture. Ciné-kinesis in the Silent Era, East and West Silence and Fog. On Gesture, Time, and Historicity in the Films of Aleksandr Sokurov Karl, Lars and Pavel Skopal (eds.): Cinema in Service of the State: Perspectives on Film Culture in the GDR and Czechoslovakia, 1945-1960 Adelheid Heftberger: Kollision der Kader. Dziga Vertovs Filme, die Visualisierung ihrer Strukturen und die Digital Humanities Kinemology, or A Science of Movement: A Forgotten Project of the GAKhN Ekaterina Makhotina: Erinnerungen an den Krieg – Krieg der Erinnerungen. Litauen und der Zweite Weltkrieg Ellen Rutten: Sincerity after Communism. A Cultural History The Other as the Self: Legibility of Body Language in Film and Americanisation of Europe Tomislav Šakić: Modernizam u hrvatskom igranom filmu Mediating Gesture in Theory and Practice