
The paper discusses two paintings from Dubrovnik, both representing scenes from the life of St Bernard from Clairvaux, preserved in the church of St Joseph and in the eastern sacristy of the church of St Blaise respectively. The author analyses specific iconographic themes of the two paintings – Amplexus Bernardi and Lactatio Bernardi, and interprets both works as reflections of the activity of Giovanni Battista Gaulli known as il Baciccio (Genova, 1639 – Rome, 1709).
U tekstu su predstavljene dvije slike iz dubrovačke likovne baštine s prikazom sv. Bernarda iz Clairvauxa smještene u crkvi sv. Josipa te u istočnoj sakristiji crkve sv. Vlaha. U radu se analiziraju specifične ikonografske teme prepoznate na slikama Amplexus Bernardi i Lactatio Bernardi, a djela se vežu uz odjeke djelatnosti talijanskog slikara Giovannija Battiste Gaullija zvanog Il Baciccio (Genova, 1639. – Rim, 1709.).
St Bernard of Clairvaux, Giovanni Battista Gaulli (il Baciccio), Dubrovnik, Lactatio Bernardi, Giovanni Battista Gaulli zvan Il Baciccio, sv. Bernard iz Clairvauxa, Amplexus Bernardi
St Bernard of Clairvaux, Giovanni Battista Gaulli (il Baciccio), Dubrovnik, Lactatio Bernardi, Giovanni Battista Gaulli zvan Il Baciccio, sv. Bernard iz Clairvauxa, Amplexus Bernardi
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