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Article . 2009 . Peer-reviewed
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Theory of Three-Dimensional Sound Field Reproduction

Authors: ANDO, Akio;

Theory of Three-Dimensional Sound Field Reproduction

Abstract

臨場感の高い音響を実現するため,様々な音場再生技術が研究開発されている.これらは,心理音響モデルに基づく方式と,物理音響モデルに基づく方式に大別できる.前者としては,5.1サラウンドから22.2マルチチャネル音響に至る様々な方式が提案されている.いずれも,2チャネルステレオの音像制御方式を基本としており,チャネル数を増やすことで,音場再生能力を向上させている.一方,後者は,音の物理量再現を目的とした方式であり,Wave Field Synthesisや境界音場制御法など,音の場の再現を目指す方式と,アンビソニックスに代表される,受音点での音の物理量を再現する方式に分けることができる.本稿では,これらの方式の基本技術を概観するとともに,その背景となる理論を紹介する.

Keywords

アンビソニックス, 音場再現, マルチチャネル音響, キルヒホッフ・ヘルムホルツ積分定理, Wave Field Synthesis

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selected citations
These citations are derived from selected sources.
This is an alternative to the "Influence" indicator, which also reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).
BIP!Citations provided by BIP!
popularity
This indicator reflects the "current" impact/attention (the "hype") of an article in the research community at large, based on the underlying citation network.
BIP!Popularity provided by BIP!
influence
This indicator reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).
BIP!Influence provided by BIP!
impulse
This indicator reflects the initial momentum of an article directly after its publication, based on the underlying citation network.
BIP!Impulse provided by BIP!
4
Average
Top 10%
Average
gold