The content of the paper examines the intermediate dialogue of the poetic and artistic text on the paradigm of A.G. Matos’s poetry and the painting created by Ljudevit Sestic and Josip Leovic. The main thought derives from Miroslav Sincel’s ascertainment how the works of Matos „mirror the most important features of our symbolical-impressionistic modernism”. Sestic’s continental landscape impressionist painting and Leovic’s symbolism in his painting, open therefore the possibility of intermediate style, content and biographical link (Tovarnik, Osijek, Đakovo, Paris, music...), keeping in mind the different positioning on the map of national cultural heritage. And with Matos’s pictorial construction of lyrical text and his artistic sensibility, that is very much possible. In the field of stylistic link, purity of style can be read out, but also stylistic impurities caused by a personal and Homeland fate. This paper is of culturological nature.