
doi: 10.1386/nl.16.1.3_2
Abstract Following the spread of digital media, the interdisciplinary field of surveillance studies has gained prominence, engaging scholars from the humanities and the social sciences alike. This introductory article aims to map out the main terrain of surveillance through, by and in the media. First, we discuss the phenomenon of, and the scholarly work on, surveillance through and by media, taking into consideration both state and corporate surveillance and how these activities have grown with the new digital and personal media of today. We then discuss surveillance as the phenomenon is represented in the media and how representations relate to surveillance practices. We conclude by presenting the articles of this special issue.
state surveillance, self–surveillance, /dk/atira/pure/core/keywords/FacultyOfHumanities, representation, surveillance in film and television, Faculty of Humanities, corporate surveillance, counter–surveillance, panspectric surveillance
state surveillance, self–surveillance, /dk/atira/pure/core/keywords/FacultyOfHumanities, representation, surveillance in film and television, Faculty of Humanities, corporate surveillance, counter–surveillance, panspectric surveillance
| selected citations These citations are derived from selected sources. This is an alternative to the "Influence" indicator, which also reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically). | 9 | |
| popularity This indicator reflects the "current" impact/attention (the "hype") of an article in the research community at large, based on the underlying citation network. | Top 10% | |
| influence This indicator reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically). | Top 10% | |
| impulse This indicator reflects the initial momentum of an article directly after its publication, based on the underlying citation network. | Average |
