
doi: 10.1353/tmj.00015
Abstract: Each culture in Polynesia traditionally created its own distinctive types of barkcloth with their own local names, but today, generally, these fabrics are referred to as tapa. For several thousand years, until the introduction of woven fabrics after European contact in the late eighteenth century, tapa played a variety of practical, social, and economic roles throughout Polynesia, where it could serve as clothing, furnishings, sacral objects, and a medium of ceremonial and commercial exchange. This article offers an overview of the Polynesian tapa cloth collection in The Textile Museum Collection. While the museum’s collection of tapa from this region is not widely known or studied, it comprises a number of noteworthy examples and traces the timeline of contact between Polynesian and Western peoples—including explorers, whalers, missionaries, the military, and contemporary collectors—as well as stylistic changes in tapa design over time.
| selected citations These citations are derived from selected sources. This is an alternative to the "Influence" indicator, which also reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically). | 0 | |
| popularity This indicator reflects the "current" impact/attention (the "hype") of an article in the research community at large, based on the underlying citation network. | Average | |
| influence This indicator reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically). | Average | |
| impulse This indicator reflects the initial momentum of an article directly after its publication, based on the underlying citation network. | Average |
