Aesthetics, generally understood as an intensified emphasis on the sensorial look and feel of urban environments, has become an important perspective through which urban scholarship is examining the economic, social, political and cultural processes of urban regeneration projects across the globe. Much of this aestheticising work is now mediated by many kinds of digital technologies. The entanglement of digital technologies with the sensorial feel of urban redevelopments manifests in many different ways in different urban locations; it is deeply reshaping the embodied experiencing of urban life; and it enacts specific power relations. It is the focus of this paper. Drawing on the work of Lefebvre and Jansson, this article develops the notion of ‘textured’ space in order to offer an analytic vocabulary that can describe distinctive configurations of urban experience at the intersection of specific urban environments, bodily sensations, and digital devices. Analysing embodied sensory politics is important because various aspects of bodily sensoria are central to human experiences of, and relations between, both self and other. Hence bodies are enrolled differentially into different expressions of these new urban aesthetics: while some are seduced, others are made invisible or repelled, or are ambivalently entangled in digitally mediated aesthetic atmospheres. The article offers some examples of the power relations inherent in the textured aesthetics of three of the most significant, and interrelated, processes of contemporary, digitally mediated urban change: efforts to be seen as a ‘world-class city’ and to facilitate gentrification and tourism.