Computation existed long before the computer—and there were artists, seduced by the beauty of mathematics, who integrated computation into their creative endeavors. With the advent of the digital machine, the relation between aesthetic artifacts and computation was redefined. This article deals with images produced between 1965 and 1970. The generation of images associated with mathematical formulae raised questions regarding art’s condition and the nature of creativity. These are addressed from the perspective of aesthetic experiments. Through dedicated experiments involving computers in Eastern Europe, particularly in (communist) Romania, artists strove for artistic freedom.