0048 Contesting "Le corps militaire": Antimilitarism, Pacificism, Anarcho-Communism and 'Le Douanier' Rousseau's La Guerre 0047 Claude Monet, mentor ou repoussoir de la génération néo-impressionniste? 0046 Valiant, Independent, and Harmonious: Paul Signac and Neo-Impressionism after 1900 0045 Colonizing the Côte d'Azur: Neo-Impressionism, Anarcho-Communism and the Tropical Terre Libre of the Maures, c.1892-1908 0044 Paul Signac's Decorative Propaganda of the 1890s 0043 The Death of Georges Seurat: Neo-Impressionism and the Fate of the Avant-Garde in 1891 0042 (Anti-)Biography and Neo-Impressionism 0041 Introduction

Articles 0041-0048 Guest-edited by Tania Woloshyn and Anne Dymond Scholarly literature has much privileged Georges Seurat's oeuvre to "explain" neo-impressionism, not least its technique, the point (pointillism) or divided facture (divisionism). While Seurat's production is indisputably key to the history of neo-impressionism, critically analyzing the movement beyond the celebrity of Seurat – its developments after the artist's untimely early death in 1891, its diverse practitioners, and the origins of that very narrative – opens up fresh interpretations with new insights.