
doi: 10.11588/riha.2012.0
0033 Quelques considérations sur le thème du présage de la Passion en Espagne 0034 A Phenomenology of Vision: the Self-Portraits of Jean-Étienne Liotard 0035 New information on the 19th century provenance of Albertinelli's Old Testament cycle 0036 Applausi festivi barriera – der Festumzug des Münchner Hofes zu Ehren Kaiser Leopolds I. im Jahr 1658 0037 Phonemes, Graphemes, Dabs of Paint: Roman Jakobson, the Russian avant-garde and the search for the shared basic elements of painting and poetry 0038 The symbolism of Adam Asnyk with Muse by Jacek Malczewski 0039 Challenging the Precepts of Modernism: The Late Work of J. F. Willumsen 0040 Views of Peace and Prosperity – Hopes for Autonomy and Self-Government, Antwerp 1599 0049 Polscy uczniowie Académie Julian do roku 1919 0050 Polish students at the Académie Julian until 1919 0051 Poetic Recuperations: The Ideology and Praxis of Nouveau Réalisme 0052 "Peintre de Sa Majesté Britannique" 0053 Fotografia na rynku aukcyjnym w Polsce 0054 Photography at the Polish auction market 0055 "Brushwork thick and easy" or a "beauty-parlor mask for murder"? 0056 Das Ende der Welt ist nicht das Ende der Tugend 0057 "[...] denn gute Gemälde hatte ich versprochen, gute habe ich geliefert, aber, aber [...]" 0061 Das Inkarnat in der griechischen Malerei 0062 Doing Language: Narratives from an Activists' World in the Austrian Art World of the 1990s
Articles 0033-0062
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