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Context effects in loudness

Authors: Michael Epstein; Mary Florentine;

Context effects in loudness

Abstract

Bertram Scharf made contributions to numerous topics in the loudness literature. In particular, he brought a great deal of insight into the current understanding of contextual effects in loudness. Some of the contextual effects that he studied include: (1) loudness adaptation, the decline in loudness of the latter portion of a continuous sound, (2) induced loudness reduction, the phenomenon by which a preceding stronger tone reduces the loudness of a weaker tone, (3) temporary loudness shift, a decline in the loudness of weaker sounds due to a physical fatigue of the cochlear amplifier, and (4) loudness enhancement, in which a brief sound is made louder when it follows a stronger sound within a short duration. Context effects serve as complex reminders of the necessity of careful design of any psychoacoustical experiment in which level varies. These effects also result in the breakdown of all loudness models, as virtually all calculations of loudness are performed for sounds without regard for previous stimuli. [Work supported by NIH-NIDCD.]

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selected citations
These citations are derived from selected sources.
This is an alternative to the "Influence" indicator, which also reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).
BIP!Citations provided by BIP!
popularity
This indicator reflects the "current" impact/attention (the "hype") of an article in the research community at large, based on the underlying citation network.
BIP!Popularity provided by BIP!
influence
This indicator reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).
BIP!Influence provided by BIP!
impulse
This indicator reflects the initial momentum of an article directly after its publication, based on the underlying citation network.
BIP!Impulse provided by BIP!
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