
doi: 10.1111/gec3.12375
handle: 10451/39200
Abstract This article poses a straightforward question: What has geography been listening to? Sonic geographies have been established as a relevant subfield in Human Geography in the last decades. During this period, a significant amount of work has been published, but there are still few reviews of these works, and most of them focus solely on Anglophone geography. In this article, I attempt to address this gap by providing an overview of the themes and concepts that have been studied within the emerging subfield of sonic geographies. My intention is to reunite a large range of works that are becoming increasingly scattered and specialized, in order to make sense of the subfield as a whole. With this in mind, I am particularly interested in identifying the “deaf spots” of the subfield, that is, the subjects, concepts, or fields that have not yet been explored thoroughly by sonic geographies.
Sound as affect, Listening, Soundscape, Politics, Sound and art, Noise, Sonic geography
Sound as affect, Listening, Soundscape, Politics, Sound and art, Noise, Sonic geography
| selected citations These citations are derived from selected sources. This is an alternative to the "Influence" indicator, which also reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically). | 45 | |
| popularity This indicator reflects the "current" impact/attention (the "hype") of an article in the research community at large, based on the underlying citation network. | Top 10% | |
| influence This indicator reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically). | Top 10% | |
| impulse This indicator reflects the initial momentum of an article directly after its publication, based on the underlying citation network. | Top 10% |
