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image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao European Journal of ...arrow_drop_down
image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
European Journal of Neuroscience
Article . 2017 . Peer-reviewed
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Absolute auditory threshold: testing the absolute

Authors: Peter Heil; Artur Matysiak;

Absolute auditory threshold: testing the absolute

Abstract

AbstractThe mechanisms underlying the detection of sounds in quiet, one of the simplest tasks for auditory systems, are debated. Several models proposed to explain the threshold for sounds in quiet and its dependence on sound parameters include a minimum sound intensity (‘hard threshold’), below which sound has no effect on the ear. Also, many models are based on the assumption that threshold is mediated by integration of a neural response proportional to sound intensity. Here, we test these ideas. Using an adaptive forced choice procedure, we obtained thresholds of 95 normal‐hearing human ears for 18 tones (3.125 kHz carrier) in quiet, each with a different temporal amplitude envelope. Grand‐mean thresholds and standard deviations were well described by a probabilistic model according to which sensory events are generated by a Poisson point process with a low rate in the absence, and higher, time‐varying rates in the presence, of stimulation. The subject actively evaluates the process and bases the decision on the number of events observed. The sound‐driven rate of events is proportional to the temporal amplitude envelope of the bandpass‐filtered sound raised to an exponent. We find no evidence for a hard threshold: When the model is extended to include such a threshold, the fit does not improve. Furthermore, we find an exponent of 3, consistent with our previous studies and further challenging models that are based on the assumption of the integration of a neural response that, at threshold sound levels, is directly proportional to sound amplitude or intensity.

Keywords

Sound, Acoustic Stimulation, Humans, Auditory Threshold

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Powered by OpenAIRE graph
Found an issue? Give us feedback
selected citations
These citations are derived from selected sources.
This is an alternative to the "Influence" indicator, which also reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).
BIP!Citations provided by BIP!
popularity
This indicator reflects the "current" impact/attention (the "hype") of an article in the research community at large, based on the underlying citation network.
BIP!Popularity provided by BIP!
influence
This indicator reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).
BIP!Influence provided by BIP!
impulse
This indicator reflects the initial momentum of an article directly after its publication, based on the underlying citation network.
BIP!Impulse provided by BIP!
6
Top 10%
Average
Average
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