Speech and audio compression has advanced rapidly in recent years spurred on by cost-effective digital technology and diverse commercial applications. Recent activity in speech compression is dominated by research and development of a family of techniques commonly described as code-excited linear prediction (CELP) coding. These algorithms exploit models of speech production and auditory perception and offer a quality versus bit rate tradeoff that significantly exceeds most prior compression techniques for rates in the range of 4 to 16 kb/s. Techniques have also been emerging in recent years that offer enhanced quality in the neighborhood of 2.4 kb/s over traditional vocoder methods. Wideband audio compression is generally aimed at a quality that is nearly indistinguishable from consumer compact-disc audio. Subband and transform coding methods combined with sophisticated perceptual coding techniques dominate in this arena with nearly transparent quality achieved at bit rates in the neighborhood of 128 kb/s per channel. >