
doi: 10.1086/730377
handle: 2262/108341
published online April 2024 The city of Khorsabad (ancient Dūr-Šarrukīn), the newly built capital of Sargon II of Assyria, contained multiple instances of a sequence of five images or symbols (lion, bird, bull, tree, plow) which also appeared shortened to three (lion, tree, plow). What did they mean? There is currently no consensus. This paper proposes a new solution, suggesting that the images a) symbolize specific constellations and b) represent Babylonian/Assyrian words whose sounds “spell out” Sargon’s name (this works for both the long and the short version). Combining these two traits, the effect of the symbols was to assert that Sargon’s name was written in the heavens, for all eternity, and also to associate him with the gods Anu and Enlil, to whom the constellations in question were linked. It is further suggested that Sargon’s name was elsewhere symbolized by a lion passant (pacing lion), through a bilingual pun.
Symbolism, Dūr-Šarrukīn, 930, Constellations, Book and Print Cultures, Neo-Assyrian art, Wordplay, Identities in Transformation, Manuscript, Astroglyphs, Khorsabad, Cryptography, Names, Sargon II, Manuscript, Book and Print Cultures, Assyriology
Symbolism, Dūr-Šarrukīn, 930, Constellations, Book and Print Cultures, Neo-Assyrian art, Wordplay, Identities in Transformation, Manuscript, Astroglyphs, Khorsabad, Cryptography, Names, Sargon II, Manuscript, Book and Print Cultures, Assyriology
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