
doi: 10.1002/ad.1044
AbstractIn the last few years, the introduction of new digital software has enabled the exuberant articulation of ornate surfaces and volumes. Marjan Colletti looks beyond technical innovation and observes a two‐fold conceptual tendency that he labels the ‘ornaMental’ and the ‘pOrnamentation’, differentiating between the first's inclination to create form through abstraction and the latter's potential for the figural through sensation. Copyright © 2010 John Wiley & Sons, Ltd.
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