
The article discusses the classification of quasi-realia in audiovisual text based on the example of the film “Avatar”. Examples of quasi-realia are given and differences in approaches to their classification are demonstrated. The authors also briefly outline the significance of the study of translation of quasi-realities in the context of audiovisual texts in the fantastic fiction genre and identify promising areas of analysis, including the typology of quasi-realia and the identification of appropriate translation strategies.
В статье рассматриваются вопросы классификации квазиреалий в аудиовизуальном тексте на примере кинофильма «Аватар». Приведены примеры квазиреалий и продемонстрированы различия в подходах к их классификации. Также обозначена значимость исследования перевода квазиреалий в контексте аудиовизуальных текстов в жанре фантастика и определены перспективные направления анализа, включая типологизацию квазиреалий и выявление соответствующих стратегий и приемов перевода.
КЛАССИФИКАЦИЯ, АВАТАР, FANTASTIC FICTION, КВАЗИРЕАЛИИ, ФАНТАСТИКА, QUASI-REALIA, AUDIOVISUAL TEXT, АУДИОВИЗУАЛЬНЫЙ ТЕКСТ, CLASSIFICATION, AVATAR
КЛАССИФИКАЦИЯ, АВАТАР, FANTASTIC FICTION, КВАЗИРЕАЛИИ, ФАНТАСТИКА, QUASI-REALIA, AUDIOVISUAL TEXT, АУДИОВИЗУАЛЬНЫЙ ТЕКСТ, CLASSIFICATION, AVATAR
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