
In the article the problem of "severe style» in the Soviet art of the period of 1950-1960th years is considered, its basic lines reveal. The cultural studies analysis of creativity of Altay artist G.F. Borunov is carried out, on this basis features of display of "severe style» in context of art of Siberia come to light.
В статье рассматривается проблема «сурового стиля» в советском искусстве периода 1950-1960-х годов, раскрываются его основные черты. Проводится культурологический анализ творчества алтайского художника Г.Ф. Борунова, на этой основе выявляются особенности проявления «сурового стиля» в контексте искусства Сибири.
СОВЕТСКОЕ ИСКУССТВО, Г.Ф. БОРУНОВ, "СУРОВЫЙ СТИЛЬ", МОНУМЕНТАЛЬНОСТЬ, ЛАКОНИЗМ, СТАТИЧНОСТЬ, ГРАФИЧНОСТЬ КОНТУРА, ОГРУБЛЕННОСТЬ ФОРМЫ, КУЛЬТУРОЛОГИЧЕСКИЙ АНАЛИЗ, G.F. BORUNOV, "SEVERE STYLE"
СОВЕТСКОЕ ИСКУССТВО, Г.Ф. БОРУНОВ, "СУРОВЫЙ СТИЛЬ", МОНУМЕНТАЛЬНОСТЬ, ЛАКОНИЗМ, СТАТИЧНОСТЬ, ГРАФИЧНОСТЬ КОНТУРА, ОГРУБЛЕННОСТЬ ФОРМЫ, КУЛЬТУРОЛОГИЧЕСКИЙ АНАЛИЗ, G.F. BORUNOV, "SEVERE STYLE"
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