
Статья посвящена роли нарративной интриги в художественной организации «Записок сумасшедшего» Л. Толстого. Проведенный анализ позволяет выявить структурную функцию начала и конца текста и пересмотреть сложившееся представление о незаконченности толстовской повести.
The article is devoted to the role of narrative intrigue artistic organization “Diary of a Madman” Leo Tolstoy. The analysis reveals the structural function of beginning and end of the text and to reconsider the notion of the incompleteness of Tolstoy’s novel.
ПОВЕСТЬ ТОЛСТОГО, ЗАПИСКИ СУМАСШЕДШЕГО, ИНТРИГА НАРРАТИВНАЯ, ИСТОРИЯ ДУШИ, “THE DIARY OF A MADMAN”, SOUL’S HISTORY
ПОВЕСТЬ ТОЛСТОГО, ЗАПИСКИ СУМАСШЕДШЕГО, ИНТРИГА НАРРАТИВНАЯ, ИСТОРИЯ ДУШИ, “THE DIARY OF A MADMAN”, SOUL’S HISTORY
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