
The article was written with the aim to reveal artistic -philosophical symphonism in picture cycle “Sonata of the Sun” of M. Čiurlionis. The author of article has brought out the interconnection of artistic visual and musical means of expression. A specific character of symphonism as a creative method is shown. The author concludes that the specific character symphonism of M. Čiurlionis lies in dialectical formation, development and interaction of the parts of the picture cycle. This is due to content, thematic contrasts, their relationships, synthesis, as well as the dynamics of the art and the “musical” development.
В статье изучается художественно-философский симфонизм в живописном цикле М. Чюрлениса «Соната солнца». Раскрывается взаимосвязь средств художественной и музыкальной выразительности. Выявляется специфика симфонизма как творческого метода. Автор приходит к выводу, что его особенности проявляются в диалектическом становлении, развитии и взаимодействии частей живописного цикла. Это происходит за счет содержательных, тематических контрастов, их взаимосвязи, синтеза, а также динамики художественного и «музыкального» развития.
ТВОРЧЕСТВО М. К. ЧЮРЛЕНИСА,"МУЗЫКАЛЬНАЯ" ЖИВОПИСЬ,МУЗЫКАЛЬНЫЕ ЖАНРЫ,"СОНАТА СОЛНЦА",СОНАТНОЕ ALLEGRO,СИМФОНИЗМ,СИНТЕЗ ЖИВОПИСИ И МУЗЫКИ,M. K. CHIURLIONIS,"SONATA OF THE SUN","MUSICAL" PAINTING,MUSICAL GENRES,ALLEGRO OF SONATA,SYMPHONISM
ТВОРЧЕСТВО М. К. ЧЮРЛЕНИСА,"МУЗЫКАЛЬНАЯ" ЖИВОПИСЬ,МУЗЫКАЛЬНЫЕ ЖАНРЫ,"СОНАТА СОЛНЦА",СОНАТНОЕ ALLEGRO,СИМФОНИЗМ,СИНТЕЗ ЖИВОПИСИ И МУЗЫКИ,M. K. CHIURLIONIS,"SONATA OF THE SUN","MUSICAL" PAINTING,MUSICAL GENRES,ALLEGRO OF SONATA,SYMPHONISM
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