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Трагедия Оскара Уайльда «Саломея»:музыка страсти

Трагедия Оскара Уайльда «Саломея»:музыка страсти

Abstract

Трагедия Оскара Уайльда «Саломея» рассматривается в данной статье как музыкальное произведение со своей системой лейтмотивов. Музыкальность текста пьесы представлена в качестве одного из ключевых звеньев «философии нереального» английского драматурга.

The article maintains that O.Wilde’s tragedy “Salome” is very rhythmic. Music, which is manifested through the rhythm and the language itself, is paramount in the works of this unbelievable English playwright.

Keywords

АНГЛИЙСКАЯ ЛИТЕРАТУРА, АНГЛИЙСКАЯ ДРАМАТУРГИЯ КОНЦА XIX – НАЧАЛА XX ВЕКА, О. УАЙЛЬД, Н. БЕРДЯЕВ, "САЛОМЕЯ", «КРИТИК КАК ХУДОЖНИК», ЛЕЙТМОТИВ, ФИЛОСОФИЯ НЕРЕАЛЬНОГО, FIN DE SIèCLE, ENGLISH DRAMA OF THE EARLY 19 TH – LATE 20 TH CENTURIES, O. WILDE, N. BERDYAEV, «SALOME», «THE CRITIC AS ARTIST»

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selected citations
These citations are derived from selected sources.
This is an alternative to the "Influence" indicator, which also reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).
BIP!Citations provided by BIP!
popularity
This indicator reflects the "current" impact/attention (the "hype") of an article in the research community at large, based on the underlying citation network.
BIP!Popularity provided by BIP!
influence
This indicator reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).
BIP!Influence provided by BIP!
impulse
This indicator reflects the initial momentum of an article directly after its publication, based on the underlying citation network.
BIP!Impulse provided by BIP!
0
Average
Average
Average
bronze