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К вопросу об истории происхождения наскального искусства: культурологический подход

К вопросу об истории происхождения наскального искусства: культурологический подход

Abstract

Обосновано обращение к параллельному изучению первобытной и традиционной культуры, как наиболее приемлемой формы интерпретации семантики наскального искусства. Рассматривается семиотика наскального искусства в рамках культурологического подхода. Выдвинутые теоретические положения верифицируются на эмпирическом материале традиционных народов Севера.

It is considered a parallel study on primitive and archaic culture as the most appropriate form of interpretation of cliff art semantics. Semiotic of cliff arts in the context of culturological approach is examined. Theoretical considerations are verified on the empiric material of traditional people of the North.

Keywords

СЕМИОТИЧЕСКАЯ ИНТЕРПРЕТАЦИЯ, НАСКАЛЬНОЕ ИСКУССТВО, АРХАИЧЕСКАЯ КУЛЬТУРА, АРХЕТИП, РЕЛИГИОЗНОМИФОЛОГИЧЕСКИЕ ВОЗЗРЕНИЯ ТРАДИЦИОННЫХ НАРОДОВ СЕВЕРА, МИСТИЧЕСКОЕ ПУТЕШЕСТВИЕ ШАМАНА, МОДЕЛЬ ВСЕЛЕННОЙ, САКРАЛИЗАЦИЯ

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selected citations
These citations are derived from selected sources.
This is an alternative to the "Influence" indicator, which also reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).
BIP!Citations provided by BIP!
popularity
This indicator reflects the "current" impact/attention (the "hype") of an article in the research community at large, based on the underlying citation network.
BIP!Popularity provided by BIP!
influence
This indicator reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).
BIP!Influence provided by BIP!
impulse
This indicator reflects the initial momentum of an article directly after its publication, based on the underlying citation network.
BIP!Impulse provided by BIP!
0
Average
Average
Average
bronze