
В статье предлагается анализ внешнего и внутреннего конфликта драмы О. Уайльда «Саломея». Внешний конфликт связан с уайльдовской идеей губительности для человека его страстей, во внутреннем конфликте представлено воплощение взглядов драматурга, связанных с его «философией нереального».
The article analyzes external and internal conflicts of Oscar Wilde’s drama Salom. The external conflict reveals Wilde’s idea of the destructive role of human infatuation. The internal conflict presents Wilde’s views connected with his ‘philosophy of the unreal’.
КОНФЛИКТ, "ПОРТРЕТ ДОРИАНА ГРЕЯ", «ПРЕСТУПЛЕНИЕ ЛОРДА АРТУРА СЭВИЛА», «ФИЛОСОФИЯ НЕРЕАЛЬНОГО», LORD ARTHUR SAVILE’S CRIME, «PHILOSOPHY OF THE UNREAL»
КОНФЛИКТ, "ПОРТРЕТ ДОРИАНА ГРЕЯ", «ПРЕСТУПЛЕНИЕ ЛОРДА АРТУРА СЭВИЛА», «ФИЛОСОФИЯ НЕРЕАЛЬНОГО», LORD ARTHUR SAVILE’S CRIME, «PHILOSOPHY OF THE UNREAL»
| selected citations These citations are derived from selected sources. This is an alternative to the "Influence" indicator, which also reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically). | 0 | |
| popularity This indicator reflects the "current" impact/attention (the "hype") of an article in the research community at large, based on the underlying citation network. | Average | |
| influence This indicator reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically). | Average | |
| impulse This indicator reflects the initial momentum of an article directly after its publication, based on the underlying citation network. | Average |
