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Своеобразие конфликта в драме Оскара Уайльда «Саломея»

Своеобразие конфликта в драме Оскара Уайльда «Саломея»

Abstract

В статье предлагается анализ внешнего и внутреннего конфликта драмы О. Уайльда «Саломея». Внешний конфликт связан с уайльдовской идеей губительности для человека его страстей, во внутреннем конфликте представлено воплощение взглядов драматурга, связанных с его «философией нереального».

The article analyzes external and internal conflicts of Oscar Wilde’s drama Salom. The external conflict reveals Wilde’s idea of the destructive role of human infatuation. The internal conflict presents Wilde’s views connected with his ‘philosophy of the unreal’.

Keywords

КОНФЛИКТ, "ПОРТРЕТ ДОРИАНА ГРЕЯ", «ПРЕСТУПЛЕНИЕ ЛОРДА АРТУРА СЭВИЛА», «ФИЛОСОФИЯ НЕРЕАЛЬНОГО», LORD ARTHUR SAVILE’S CRIME, «PHILOSOPHY OF THE UNREAL»

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selected citations
These citations are derived from selected sources.
This is an alternative to the "Influence" indicator, which also reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).
BIP!Citations provided by BIP!
popularity
This indicator reflects the "current" impact/attention (the "hype") of an article in the research community at large, based on the underlying citation network.
BIP!Popularity provided by BIP!
influence
This indicator reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).
BIP!Influence provided by BIP!
impulse
This indicator reflects the initial momentum of an article directly after its publication, based on the underlying citation network.
BIP!Impulse provided by BIP!
0
Average
Average
Average
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